Our final conflict for the week is between the illustrator and the reader. In An Undone Fairy Tale the illustrator is a character named Ned. He’s really more of a set painter, costumer, hair and makeup artist, and prop man who is creating the illustrations for a typical fairy tale out of “real” objects. His troubles arise because we are reading the book entirely too fast. Ned never has time to prepare the illustrations for the next page before we turn to it. The narrator repeatedly tries to convince us to slow down and not turn the page yet. We, of course, do anyway.
The typical fairy tale we were expecting becomes decidedly atypical as Ned attempts to cobble together characters and scenes quickly enough to match the reader’s speed. This results in some quirky substitutions. For example, the king’s crown ends up being a donut. The knight’s horses aren’t ready in time, so Ned must replace them with fish. The only costumes ready for the knights are tutus.
The fairy tale becomes stranger and stranger until, finally, the narrator offers up a plea. “This is your final warning. The next page won’t be ready for four or five weeks. So put the book down and come back then. Okay? Pretty please?” Somehow I get the feeling that even if we did as he asked, the book still wouldn’t be ready.
Check the WRL catalog for An Undone Fairy Tale.